Computational invention of cadences and chord progressions by conceptual chord-blending
ثبت نشده
چکیده
We present a computational framework for chord invention based on a cognitive-theoretic perspective on conceptual blending. The framework builds on algebraic specifications, and solves two musicological problems. It automatically finds transitions between chord progressions of different keys or idioms, and it substitutes chords in a chord progression by other chords of a similar function, as a means to create novel variations. The approach is demonstrated with several examples where jazz cadences are invented by blending chords in cadences from earlier idioms, and where novel chord progressions are generated by inventing transition chords. Source URL: https://www.iiia.csic.es/en/node/54153 Links [1] https://www.iiia.csic.es/en/staff/manfred-eppe [2] https://www.iiia.csic.es/en/staff/roberto-confalonieri [3] https://www.iiia.csic.es/en/bibliography?f[author]=382 [4] https://www.iiia.csic.es/en/bibliography?f[author]=383 [5] https://www.iiia.csic.es/en/bibliography?f[author]=384 [6] https://www.iiia.csic.es/en/staff/marco-schorlemmer [7] https://www.iiia.csic.es/en/bibliography?f[author]=385
منابع مشابه
Computational Invention of Cadences and Chord Progressions by Conceptual Chord-Blending
We present a computational framework for chord invention based on a cognitive-theoretic perspective on conceptual blending. The framework builds on algebraic specifications, and solves two musicological problems. It automatically finds transitions between chord progressions of different keys or idioms, and it substitutes chords in a chord progression by other chords of a similar function, as a ...
متن کاملConcept Invention and Music: Creating Novel Harmonies via Conceptual Blending
Conceptual blending is a cognitive theory whereby elements from diverse, but structurally-related, mental spaces are “blended” giving rise to new conceptual spaces that often possess new powerful interpretative properties, allowing better understanding of known concepts or the emergence of novel concepts altogether. This paper provides an overview of the wide computational methodological spectr...
متن کاملA Computational Model That Generalises Schoenberg’s Guidelines for Favourable Chord Progressions
This paper presents a formal model of Schoenberg’s guidelines for convincing chord root progressions. This model has been implemented as part of a system that models a considerable part of Schoenberg’s Theory of Harmony. This system implements Schoenberg’s theory in a modular way: besides generating four-voice homophonic chord progressions, it can also be used for creating other textures that d...
متن کاملEffects of attention on the neural processing of harmonic syntax in Western music.
The effects of selective attention on the neural response to the violation of musical syntax were investigated in the present study. Musical chord progressions were played to nonmusicians while Event-Related Potentials (ERPs) were recorded. The five-chord progressions included 61% harmonically expected cadences (I-I(6)-IV-V-I), 26% harmonically unexpected cadences (I-I(6)-IV-V-N(6)), and 13% wi...
متن کاملTonal Music Theory—a Psychoacoustic Explanation?
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant properties such as the use of specific chord progressions (cadences) to induce a sense of closure, the asymmetrical privileging of certain progressions, and the privileging of the major and minor scales. The most widely accepted explanation has been that this is due to a process of enculturation:...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
عنوان ژورنال:
دوره شماره
صفحات -
تاریخ انتشار 2017